A viewset for viewing and editing Fictions.

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            "description": " Christianity had a major impact on Icelandic literary tradition: 'By the end of the 10th century, the Norwegians were forced by their king, Olaf I Tryggvason, to accept Christianity. The king also sent missionaries to Iceland who, according to 12th-century sources, were highly successful in converting the Icelanders. In 999 or 1000 the Althing made a peaceful decision that all Icelanders should become Christians. In spite of this decision, the godar retained their political role, and many of them probably built their own churches. Some were ordained, and as a group they seem to have closely controlled the organization of the new religion. Two bishoprics were established, one at Skálholt in 1056 and the other at Hólar in 1106. Literate Christian culture also transformed lay life. Codification of the law was begun in 1117-18. Later the Icelanders began to write sagas, which were to reach their pinnacle of literary achievement in the next century.' §REF§<a class=\"external free\" href=\"http://www.britannica.com/place/Iceland/Government-and-society#toc10088\" rel=\"nofollow\">http://www.britannica.com/place/Iceland/Government-and-society#toc10088</a>§REF§ The received written records associated with the saga literature do not predate the introduction of Christianity: 'According to most authors writing was introduced to Iceland when the country was Christianized in the year 1000. In the two centuries that followed, writing was used for many purposes: religious works, a grammar, a law book and a short history. Most of the family sagas were written in the thirteenth century. The saga with which I am concerned, Eyrbyggja saga (ÍF 4), is commonly believed to have been written between 1230-1250 (Schach &amp; Hollander 1959:xx). I shall deal only with a part of this saga, which I have called the Þórgunna story (ÍF 4, ch. 49-55). I consider the Þórgunna story a myth. Anthropologists believe that myths contain hidden messages in symbolic forms. According to Malinowski (1926) myths are social charters. Lévi-Strauss (1963) argues that myths have a binary structure and that their oppositions explore contradictions in social and other relations.' §REF§Odner, Knut 1992. “Þógunna’S Testament: A Myth For Moral Contemplation And Social Apathy”, 125§REF§ 'The Poetic Edda, a collection of verses compiled by an Icelander in the last half of the thirteenth century, offers another view into the worldview of the period by indicating what its compiler(s) found valuable. Scribal errors suggest it was not written from memory or dictation, but copied from at least two manuscripts. Paleographic evidence suggests that these two source manuscripts are not older than the beginning of the thirteenth century and must have been written by different scribes. Nothing is known of its provenance or compilation or composition. Linguistic evidence suggests the verses do not predate the ninth century (Hollander 1962).' §REF§Durrenberger, E. Paul 1992. “Dynamics Of Medieval Iceland: Political Economy And Literature”, 93§REF§ 'Icelanders began writing sagas about 230 years after the first “official” settler arrived around 874. Icelanders were widely traveled and could not have avoided contact with writing. Writing was independently invented several times to keep records of time, people, wealth, the business of all states, and then to record religious and “historical” documents, also the business of states. [Page 106] Nonstate peoples, on the margins of states, appropriate writing when they need to write.' §REF§Durrenberger, E. Paul 1992. “Dynamics Of Medieval Iceland: Political Economy And Literature”, 105§REF§ However, fiction is difficult to define in this context: 'Before the twelfth century fiction was only present as oral tradition. From the twelfth century and especially the thirteenth century written fictional literature was present. However, it is difficult to distinguish fiction from unreliable history. King Sverrir of Norway (ca. 1200) enjoyed what he called lygisögur (lie sagas) even if others may have been less sceptical. Example: Hrómundar saga Gripssonar. In Sturlu þáttur (part of Sturlunga saga) we learn of an Icelandic lord at the Norwegian court (in 1263) entertaining by telling the story of Huld the giantess. These were sagas later classified as fornaldarsögur (legendary sagas) although it is unclear whether these were actual written texts (Huldar saga probably was although it no longer exists). An abundance of such stories were certainly committed to writing later on. No doubt many of these were entirely made up although some preserve legendary material. There were also chivalric romances, imported, translated and, at least eventually, created in Iceland. It is uncertain how much of this material was present before 1262. Poetry was also abundant and can be found for example in the two Eddas and incorporated into many sagas.' §REF§Árni Daniel Júlíusson and Axel Kristissen 2017, pers. comm. to E. Brandl and D. Mullins§REF§ The codebook may be in need of modifications as it is difficult to distinguish fiction from other genres in non-modern settings.",
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                "general_description": "Settlers arrived in Iceland in significant numbers starting from the late 9th century CE, mostly from Norway and the Norse colonies in Scotland and Ireland, bringing with them many people indigenous to the latter. However, language and culture were strongly Norse.<br>The Icelandic Commonwealth (Icel. <i>íslenska þjóðveldið</i>), occasionally called 'free state' or 'republic' (not to be confused with the modern republic) was established in 930 CE according to 12th-century historical documents. It was the first polity to cover the whole of Iceland and the smaller surrounding islands. Its territory did not change during its lifetime.<br>Icelandic society during the Commonwealth was strongly rural and never developed significant urbanization. However, centres of power, wealth and learning gradually emerged in the two bishoprics, monasteries and the homes of the greatest secular lords.<br>Iceland was mostly pagan in the early period but Christianity was accepted in 1000 and the first bishopric established in 1056. This not only brought Iceland closer to Europe but also introduced European culture and learning, and from the early 12th century the Icelanders started to produce significant works of literature in the vernacular but written in the Latin alphabet (sagas). The sagas are usually (at least recently) considered the greatest achievement of the Commonwealth and they flourished in the 13th century (both before and after 1262). However, this was also a time of war and loss of independence, making it difficult to assign it a 'peak' status.<br><i>Population and political organization</i><br>There are no reliable figures for the total population in Iceland during this period. Common estimates range from 5,000-20,000 in 930 to 40,000-70,000 at the end. The only statistic that is somewhat reliable states that the number of tax-paying farmers around 1100 AD was 4,560. The relationship between this number and the whole population is uncertain.<br>The Commonwealth functioned as a federation of smaller political units with no fixed borders, the godords/chieftaincies (<i>goðorð</i>), with alliances between households led by a chieftain (<i>goði</i> or <i>goðorðsmaður</i>). Laws were common to all and there was a common judiciary system. In Lögrétta leaders of all the godords met once a year to decide on laws, forming the most important part of the proceedings of the <i>Alþingi</i> ('general assembly'), held in summer at Thingvellir. However, there was no common executive branch of government, leaving the godords quite autonomous.<br>The godords started to congeal into territorial lordships with fixed borders in the 12th century (the first one perhaps in the late 11th century), but this process was most rapid around 1200 CE and by 1220 they covered most of Iceland. These lordships functioned as practically independent tiny polities (or 'proto-states') and proceeded to fight each other for supremacy. The ensuing civil wars (<i>Sturlungaöld</i>) ended in 1262 when the Icelanders swore allegiance to the Norwegian crown.<br><i>This description was provided by Axel Kristinsson and edited by Jenny Reddish.</i>",
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Later the Icelanders began to write sagas, which were to reach their pinnacle of literary achievement in the next century.' §REF§<a class=\"external free\" href=\"http://www.britannica.com/place/Iceland/Government-and-society#toc10088\" rel=\"nofollow\">http://www.britannica.com/place/Iceland/Government-and-society#toc10088</a>§REF§ The received written records associated with the saga literature do not predate the introduction of Christianity: 'According to most authors writing was introduced to Iceland when the country was Christianized in the year 1000. In the two centuries that followed, writing was used for many purposes: religious works, a grammar, a law book and a short history. Most of the family sagas were written in the thirteenth century. The saga with which I am concerned, Eyrbyggja saga (ÍF 4), is commonly believed to have been written between 1230-1250 (Schach &amp; Hollander 1959:xx). I shall deal only with a part of this saga, which I have called the Þórgunna story (ÍF 4, ch. 49-55). I consider the Þórgunna story a myth. Anthropologists believe that myths contain hidden messages in symbolic forms. According to Malinowski (1926) myths are social charters. Lévi-Strauss (1963) argues that myths have a binary structure and that their oppositions explore contradictions in social and other relations.' §REF§Odner, Knut 1992. “Þógunna’S Testament: A Myth For Moral Contemplation And Social Apathy”, 125§REF§ 'The Poetic Edda, a collection of verses compiled by an Icelander in the last half of the thirteenth century, offers another view into the worldview of the period by indicating what its compiler(s) found valuable. Scribal errors suggest it was not written from memory or dictation, but copied from at least two manuscripts. Paleographic evidence suggests that these two source manuscripts are not older than the beginning of the thirteenth century and must have been written by different scribes. Nothing is known of its provenance or compilation or composition. Linguistic evidence suggests the verses do not predate the ninth century (Hollander 1962).' §REF§Durrenberger, E. Paul 1992. “Dynamics Of Medieval Iceland: Political Economy And Literature”, 93§REF§ 'Icelanders began writing sagas about 230 years after the first “official” settler arrived around 874. Icelanders were widely traveled and could not have avoided contact with writing. Writing was independently invented several times to keep records of time, people, wealth, the business of all states, and then to record religious and “historical” documents, also the business of states. [Page 106] Nonstate peoples, on the margins of states, appropriate writing when they need to write.' §REF§Durrenberger, E. Paul 1992. “Dynamics Of Medieval Iceland: Political Economy And Literature”, 105§REF§ However, fiction is difficult to define in this context: 'Before the twelfth century fiction was only present as oral tradition. From the twelfth century and especially the thirteenth century written fictional literature was present. However, it is difficult to distinguish fiction from unreliable history. King Sverrir of Norway (ca. 1200) enjoyed what he called lygisögur (lie sagas) even if others may have been less sceptical. Example: Hrómundar saga Gripssonar. In Sturlu þáttur (part of Sturlunga saga) we learn of an Icelandic lord at the Norwegian court (in 1263) entertaining by telling the story of Huld the giantess. These were sagas later classified as fornaldarsögur (legendary sagas) although it is unclear whether these were actual written texts (Huldar saga probably was although it no longer exists). An abundance of such stories were certainly committed to writing later on. No doubt many of these were entirely made up although some preserve legendary material. There were also chivalric romances, imported, translated and, at least eventually, created in Iceland. It is uncertain how much of this material was present before 1262. Poetry was also abundant and can be found for example in the two Eddas and incorporated into many sagas.' §REF§Árni Daniel Júlíusson and Axel Kristissen 2017, pers. comm. to E. Brandl and D. Mullins§REF§ The codebook may be in need of modifications as it is difficult to distinguish fiction from other genres in non-modern settings.",
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